#Diane webber history how to
#Diane webber history series

If you don't know already, you probably won't need three guesses to figure out (as I learned) who her daddy was.

#Diane webber history series

I'd known that Diane made her Playboy appearances under her real name of Marguerite Diane Empey, but I'd never made any connection. As any guy my age knows, Diane was one of those 'B' actresses (with 'DD' talents) who appeared in at least one episode of every television series you ever heard of in the late Fifties through the mid-to-late-Sixties, and, as the sign says, was a Playboy Playmate of the Month not just once but twice, which was in keeping with her off-screen embrace of the nudist lifestyle. One of my favorite books as a kid was 'Over the Top', by Arthur Guy Empey-his memoirs of his days as an American volunteer in the British infantry before the U.S. I did discover a bit of fascinating (to me, anyway) historical trivia while doing the research for this one, something I'm frankly astounded I hadn't stumbled on before now.

This particular episode of 'Voyage to the Bottom of the Sea' incorporated stock footage from her 1962 nudie-cutie flick, 'The Mermaids of Tiburon'. Sometimes you just gotta step back and wait for the inspiration (or whatever it is).Īs any guy my age knows, Diane was one of those 'B' actresses (with 'DD' talents) who appeared in at least one episode of every television series you ever heard of in the late Fifties through the mid-to-late-Sixties, and, as the sign says, was a Playboy Playmate of the Month not just once but twice, which was in keeping with her off-screen embrace of the nudist lifestyle. I made a start, but for some reason it just wasn't working out the way I wanted it to, so it got put on the back burner while the Audie Murphy, Robin Moore, Chairman Mao and self-portrait got done.

#Diane webber history how to

The minimum criteria are designed to cure the current flaws and deficiencies and provide a base line of guidance for the many countries that choose to use preventive detention, in a way that both respects human rights and maintains security.This one actually had its start back in November (or even before), when Froggyboggler posted her 'Every Inch a Sailor' album cover to the Bottom of the Sea' was one of my favorite tv shows as a kid, and when Froggy posted her pic and the comments were made thereon, and I remembered Diane Webber had played a mermaid in one episode, it kinda sorta began to gel in my mind how to do a 'toon about it. The book demonstrates that the procedures governing the use of preventive detention are deficient in each framework and that these deficiencies often have an adverse and serious impact on the human rights of detainees, thereby delegitimizing the use of preventive detention.īased on her investigation Diane Webber puts forward a new approach to preventive detention, setting out ten key minimum criteria drawn from international human rights principles and best practices from domestic laws.

The book looks comparatively at the law in a number of key jurisdictions including the USA, the UK, Israel, France, India, Australia and Canada and in turn compares this to preventive detention under the law of armed conflict and various human rights treaties. This book offers a comprehensive and critical analysis of the detention of terror suspects under domestic criminal law, the law of armed conflict and international human rights law.

Many have debated the inadequacies of the current legal frameworks for detention, and the need for finding the most appropriate legal model to govern detention of terror suspects that might serve as a global paradigm. Preventive detention as a counter-terrorism tool is fraught with conceptual and procedural problems and risks of misuse, excess and abuse. Webber appeared on the cover art of several pop music vinyl record albums in the late 1950s-1960s, including George Shearings Satin Br (1959), Les Baxters La Femme (1956) and Jewels of the Sea (1961), Nelson Riddles Sea of Dreams (1958), Marty Paichs Jazz for Relaxation (1956), Xavier Cugats Chilie con Cugie (1959), Otto Cesanas Sheer Ecstasy (1960) and the R.C.A.